WE ONLY SHOW A VERY SMALL PERCENTAGE OF OUR FAVOURITE VIDEOS ON OUR WEBSITE! IF YOU’D LIKE TO SEE MORE WORK, PLEASE GET IN TOUCH AND WE’D BE HAPPY TO HELP.
TASHA TAH - YA BABY
Working on this project during COVID, our options on shooting an Arabic setting were very limited. Fortunately, we managed to get flights to Antalya, Turkey, with the crew and shot this beautiful project with a hardworking and dedicated team in a little under 48 hours.
KIZZY - CURTIS JACKSON remix
Our roots are in the East London rap scene, as teenagers shooting drill videos till the sun came up, to head back to college. Getting back in touch with where we came from with a hard-hitting track from Kizzy was great, now with the years of experience and cinema grade production. The original was great but the Remix, with all the added production value we brought to the table, was even better.
HBK - MATT LANSKY
Matt wanted something completely unique for his video, and we were only too happy to oblige. Working on no budget at all, and calling in all the favours we could, we rigged up soft boxes with bedsheets and batteries to tell the story of a tortured man haunted by his mistakes, and the people he left behind.
NOTHING’S IMPOSSIBLE - NYEMA
Nyema’s voice made the track flow into one piece, so when we sat down with her to talk about the video the whole team decided to make sure the video did the same. This seamless video was planned out to perfection to make almost every transition hidden, and getting the video to flow like the track with the illusion of it all being done in one take.
“The most difficult thing about music videos is that a lot of young filmmakers come into the medium, and they have so many different ideas, but they need to understand what the musician wants.”
DOWN - CHRISSI
One of our oldest videos, that took ages to release too! When Chrissi approached us with his track, we wanted the sweeping and majestic beat to come through in the visual. His reference of ‘i hate u i love u’ by Nash (dir. Mitchell DeQuilettes) confirmed exactly how we felt. We took him outside of London to shoot in the Black Woods, and the 4k Aerial footage brought through just the feeling we needed to get his emotion on screen with a simplistic, cinematic video.
FAKE LOVE - LIL INK
Ink wanted the music to speak for itself, so we sat him down to do his thing. We sourced a beautiful but simple location and tweaked his performances to deliver his track perfectly onto the screen, then spent hours colouring the footage to get a natural but cinematic look.
9AM - BENZIINO
Ben’s hard hitting delivery and syncopated flow meant we needed a jumpy video to go along with it, and we knew that we could pull this off with absolutely no extra budget. A week of scouting later, we’d sorted tonnes of unique locations and tonnes of VFX to get this video popping like the track. We had so much fun doing it that we just had to put it in with our favourites.
DITCH THIS ONE - AJ JNR
AJ hit us up to travel to Manchester for an impromptu video for an energetic track. With no brief or locations, we got the team to the North to create something off the cuff, and it’s one of our favourite projects of all time. We needed the camera to capture the vibe of AJ’s magnificent performance, so we went entirely handheld and added our animated titling to top it off.
STRANGER - NYEMA
Nyema’s track, despite the catchy beat, held quite a spooky undertone. We created a storyline for her about bewitching a man and brought a sexy vibe to a modern-day witch’s coven. We hit up our favourite abandoned location and got creative with candlelight to set the scene perfectly. The unique concept, exceptional direction on the performance and creative lighting made this one of our favourite projects.
THE CURIOUS ART OF A SISYPHEAN TASK - LIL INK
Ink gave us free reign on this project. We were told to do what we liked, but just to make it his best project yet. The track screams about his entrapment in his life, and everything preventing him making his career in his dream job - music - even himself. We brought this to life with unique visual metaphors and set the scene in our abandoned location, which we lit to reflect the dark and moody nature of Ink’s vocals.
